Walking-with Amsterdam: Reflections on Walking as Research Practice (WARP Conference special edition)
Call for papers
The WARP Research group in collaboration with Soapbox journalinvites all interested in walking as research practice to contribute to the upcoming publication ‘Walking-with Amsterdam: Reflections on Walking as Research Practice (WARP Conference special edition)’ edited by Soapbox and the WARP Conference organising team.
This publication comes after the Walking as a Research Practice (WARP) Conference, a two-day conference that brought together scholars from many different fields in the social sciences, the humanities, and the arts, as well as creative practitioners, for a transdisciplinary dialogue about the capacities of walking practices as research. With its emphasis on the body, the senses, placemaking and becoming, walking is inspired a critical rethinking of traditional methodologies and perspectives.
Aiming to share and disseminate the results, reflections, collaborations, and outcomes born out of the Walking as Research Practice (WARP) Conference 2022 we invite all participants of the WARP Conference to submit a paper, and we also welcome contributions by non-presenting members of the conference. We also hope that members of the WARP Reading Group will feel motivated to contribute, as well as those in the wider walking as research community.
We are currently looking to expand our team. Soapbox is a student-run journal focused on promoting voices that creatively engage with concepts and cultural objects in the broadest sense, through publishing academic, artistic, and interdisciplinary works. Soapbox is a collaborative effort in gaining experience and experimenting with running a small publishing platform. All members take part in actively shaping what Soapbox is by weighing in on editorial decisions and take part in any aspects of publishing (both online and in print).
In general, the time commitment expected is between four and six hrs/week, including a weekly two-hour meeting. The journal is run on a voluntary basis. For all roles, applicants should be based in the Amsterdam area and available for at least the remaining academic year (until June 2023).
If you're interested, please email email@example.com with any particular role(s) you would be interested in.
Deadline: October 31st
We would like to stress that we need applicants for this position to commit to being consistent and reliable for the duration of the editorial timeline of one issue, which tends to take one year.
For the next issue of Soapbox we invite young researchers and established scholars alike to submit academic essays or creative work that critically engages with the theme of interface. We are inviting extended proposals (500-1000 words) that follow the MLA formatting and referencing style. We don't charge a submission fee.
Send your proposal to firstname.lastname@example.org by December 14th 2021.
An interface is a space of contact and interconnection. Thinking within but also beyond a media studies framework, we can understand our lives to be constantly mediated by interfaces of one form or another. Broadly speaking, they serve as an intermediary between an individual and a system, or alternatively conceptualised, between experience and infrastructure. Interfaces mediate between a body and its environment, private and public, subject and object. In each instance, the interface enables interaction and activity. Think of the movement from print to digital media, the structural design of spaces and buildings, the reception of knowledge from an academic paper: as we move through the world we encounter and interact with a range of interfaces that delineate the possibilities of experience in profound ways. Their politics can be intentionally designed or inherently implicated in their operations. As such, interfaces are cultural as well as political: they connect us to a matrix of histories and structures while their imbrication in power can afford and advance the needs of one group at the expense of another.
We invite you to think through and beyond the somatechnic view of the interface, allowing perspectives that explore the aesthetic, infrastructural, affective, material, and political dimensions of the interfaces that give shape to contemporary experience.